Dubbed “An Incomplete History of Britain 1984-1992”, Everybody in the Place situates rave culture and acid house at the very centre of the seismic social changes upending 1980s Britain. From protest movements, to abandoned warehouse raves, to a firm feature of British identity – Turner prize winner Jeremy Deller depicts how rave culture transcended otherwise impregnable boundaries of class, identity and geography.
CONTENT NOTES: Discussion of racism, homophobia, classism, police brutality; depiction of drug-use, police brutality
ACCESS NOTES: Mix of explanatory narration and visual documentation; bright images; documentation of flashing lights in night clubs throughout; rave and electronic music throughout
Screening with short film: Syncopated Green